• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

CLASSICAL Decorative Arts BLOG™

...more artistic musings

  • Homepage
  • Past Work
    • PUBLIC Commissions
      • HISTORICAL Restoration at Chicago Theatre
      • RESTORATION at The Mayslake Peabody Estate
      • HISTORICAL OSC in Springfield IL
      • LOUIS SULLIVAN and the Chicago Stock Exchange
      • The HISTORIC CABLE HOUSE in Chicago – Louis Sullivan
      • George WASHINGTON Savings Bank Orland Park IL
      • FAUX Bois ~ FAUX Marble
      • STENCILS
      • PROCUREMENT: Business AWARDS
    • PRIVATE Commissions
      • POMPEIAN Room Recreated
      • GILDING
        • GILDING: Using Dutch Metal
        • The SCHIBIN Ceiling
      • 18c Parchment Restoration
      • Traditional OLD WORLD Restoration
  • BLOG POSTS
    • The Perfect Color
    • The Adventures of a Website Muse
    • LOUIS SULLIVAN Rediscovered : Lecture
    • MODEL MARATHON
    • LIZ STEEL Online Education
  • MUSEUM VISITS
    • MILWAUKEE Art Museum
    • CANOVA: Sketching in Clay
  • HISTORICAL OBSERVATIONS
    • THE BEGINNINGS
      • Okay, I’LL HANG IT SOMEWHERE ELSE – IMPRESSIONISTS part 1
      • Okay, I’LL HANG IT SOMEWHERE ELSE – IMPRESSIONISTS part 2
    • IT’S ALL BEEN DONE BEFORE
    • COLOR CHOICES and APPLICATIONS
      • PAINT IT ANY COLOR AS LONG AS ITS BLUE
    • HAIL TO THE GIRLS
      • SOFONISBA Anguissola
      • IMPRESSIONIST Pioneers: Berthe Morisot and Mary Cassatt
      • SUZANNE Valadon
    • HEY…are ya gunna pay me?
      • MICHELANGELO: The Man and The Myth
  • GALLERY
    • TRAVEL SKETCHING: Liz Steel Classroom
    • INTERNATIONAL SALON
    • DRAWINGS
    • WATERCOLOR
    • OIL PAINTING
  • Contact Us
Home » PRIVATE Commissions » Traditional OLD WORLD Restoration

Traditional OLD WORLD Restoration

by

A man standing in front of a table with two bottles.

…more artistic musings

Home » PRIVATE Commissions » Traditional OLD WORLD Restoration

A TRADITIONAL OLD WORLD oil glazed wall that has been damaged is nearly impossible to repair successfully. A New York training school recommends repainting entire wall and re-glazing the area. After years of applying an oil glaze to clients’ walls a procedure to repair the damaged glazed wall has been successfully developed.

PROJECT BACKGROUND

The original project was completed over 15 years ago. When new owners were moving in seven years ago the walls were damaged. CLASSICAL was called back to repair this damage. However, because the damage was extensive, not to mention that they had fallen in love with faux technique they decided to repaint and reproduce the original oil technique. The present day has produced another move (this time to replace a refrigerator)  with more damage to the wall yet again. This time and not to repaint completely it was decided to repair the areas.

A close up of the dirt on the ground

Damaged Area

As anyone who has worked with oil glazes knows it is almost impossible to repair an area that will match to the original. When I trained in New York we were taught to completely repaint.

Restoration to damaged oil glazed wall

Liquidtex Modeling Paste Matte was used instead of Spackling Paste to fill the damaged areas.

Modeling Paste is applied with a medium size palette knife that has a flat edge on one side. Once the Modeling Paste is loaded on the palette knife apply to damaged area holding the knife on a 45-degree angle, pulling down in the direction of the tear.

Let modeling paste set up 50%: repaired area that is filled with the Modeling Paste does not leave a finger print when touched, but the product is firm enough to be wiped off.

Use a damp cotton T-shirt that has been folded in a ball without creases. Hold the T-shirt as if you were gripping a baseball so that the flat smooth surface is parallel to the wall surface.

A person holding a piece of dough in their hand.

Rub off the extra Modeling Paste around the damaged area. Gently wipe the retouched area that has the Modeling Paste to a smooth finish. Be careful not to apply too much pressure; thus, removing too much of the filled in area. Allow repaired area to dry completely.

Repeat the above process several times bringing the repaired filled area level with the surrounding wall.

Again, wait for the paste to set up 50% and go ahead to remove the paste from the areas surrounding the repair. Re-wet the cotton t-shirt and hold in the way described above. Rub off the pasted from the damaged area until smooth and flush with the surface of the wall.

A person is painting the wall with white paint.

Wait for all steps to dry completely before painting the area with the appropriate base coat color.

A woman sitting on the stairs using her cell phone.
A close up of the corner of a room

Appropriate base coat color:

Pick an area from the wall that does not have the applied glaze and carefully match to this color. This will be your BASE COAT COLOR. When the repaired area has completely dried use a soft brush to feather in the base coat color to the repaired area. Dry completely. The last step is to apply the oil glaze that was used for original treatment. Again, using a soft brush to apply the glaze and appropriate tool for the glaze removal, carefully matching and blending to the original movement of the treatment.

Cynthia

Home » PRIVATE Commissions » Traditional OLD WORLD Restoration

CLASSICAL Decorative Arts BLOG™ 2009-2025 – CLASSICAL DECORATIVE ARTS by Cynthia™ 1992 -2017

A gold and black 2 5 years anniversary logo

CREATED BY CDA DESIGNS© 2025

copyright© 2009-2025 ~ CLASSICAL Decorative Arts BLOG™ ~ page layout and web content© ~ all rights reserved

Related Posts

  • 18c Parchment RestorationA chandelier with lights hanging from the ceiling.
    In relation to
    PRIVATE Commissions
  • RESTORATION at The Mayslake Peabody Estate
    In relation to
    PUBLIC Commissions
  • OIL PAINTING
    In relation to
    Gallery
  • HISTORICAL Restoration at Chicago TheatreA large chicago theater sign on the side of a building.
    In relation to
    PUBLIC Commissions
  • PRIVATE Commissions
    In relation to
    Past Work
  • MILWAUKEE Art Museum
    In relation to
    Museum Visits

Filed Under: PRIVATE Commissions Tagged With: conservation, oil glaze, restoration

About

Primary Sidebar

Recent Posts

  • The Perfect Color
  • The Adventures of a Website Muse
  • POMPEIAN Room Recreated
  • STENCILS
  • FAUX Bois ~ FAUX Marble
  • TRAVEL SKETCHING: Liz Steel Classroom

BLOG Contents

  • Homepage
  • Past Work
    • PUBLIC Commissions
      • HISTORICAL Restoration at Chicago Theatre
      • RESTORATION at The Mayslake Peabody Estate
      • HISTORICAL OSC in Springfield IL
      • LOUIS SULLIVAN and the Chicago Stock Exchange
      • The HISTORIC CABLE HOUSE in Chicago – Louis Sullivan
      • George WASHINGTON Savings Bank Orland Park IL
      • FAUX Bois ~ FAUX Marble
      • STENCILS
      • PROCUREMENT: Business AWARDS
    • PRIVATE Commissions
      • POMPEIAN Room Recreated
      • GILDING
        • GILDING: Using Dutch Metal
        • The SCHIBIN Ceiling
      • 18c Parchment Restoration
      • Traditional OLD WORLD Restoration
  • BLOG POSTS
    • The Perfect Color
    • The Adventures of a Website Muse
    • LOUIS SULLIVAN Rediscovered : Lecture
    • MODEL MARATHON
    • LIZ STEEL Online Education
  • MUSEUM VISITS
    • MILWAUKEE Art Museum
    • CANOVA: Sketching in Clay
  • HISTORICAL OBSERVATIONS
    • THE BEGINNINGS
      • Okay, I’LL HANG IT SOMEWHERE ELSE – IMPRESSIONISTS part 1
      • Okay, I’LL HANG IT SOMEWHERE ELSE – IMPRESSIONISTS part 2
    • IT’S ALL BEEN DONE BEFORE
    • COLOR CHOICES and APPLICATIONS
      • PAINT IT ANY COLOR AS LONG AS ITS BLUE
    • HAIL TO THE GIRLS
      • SOFONISBA Anguissola
      • IMPRESSIONIST Pioneers: Berthe Morisot and Mary Cassatt
      • SUZANNE Valadon
    • HEY…are ya gunna pay me?
      • MICHELANGELO: The Man and The Myth
  • GALLERY
    • TRAVEL SKETCHING: Liz Steel Classroom
    • INTERNATIONAL SALON
    • DRAWINGS
    • WATERCOLOR
    • OIL PAINTING
  • Contact Us
A painting of an old vase and other objects
Salon 2013 Exhibition Panel Oil on Cambric Linen

Keep up-to date

Subscribe for BLOG Updates

Please enable JavaScript in your browser to complete this form.
Name *
Loading