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CLASSICAL Decorative Arts BLOG™

...more artistic musings

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PRIVATE Commissions

POMPEIAN Room Recreated

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Portifolo Photo/scanned, iPhoto Edited

POMPEIAN Room Corner and WALL by CLASSICAL Decorative Arts

This HISTORICALLY correct ROMAN VILLA was re-created using Pompeii and Herculaneum, A.D. 79 for the reference. Both design and color palettes remained true to the original.

Fireplace WALL~ Under SOFFIT Detail

Under SOFFIT Detail

Recreated POMPEIAN Room Detail by CLASSICAL Decorative Arts

This particular project required 15 separate canvases’ to complete the illusion of how the affluent decorated their Villas during this ancient period. Before the fatal eruption of Mt, Vesuvius destroyed the famous summer resort of the rich and famous.

Entry Hallway PANEL

The two Roman villas used for inspiration were Boscoreale and Boscotreacase. While the one villa was used as a private residence, the former functioned as a summer house to the Emperor Augustus, 1st century BC

CAPITAL Detail

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CLASSICAL Decorative Arts BLOG™ 2009-2025 – CLASSICAL DECORATIVE ARTS by Cynthia™ 1992 -2017

A gold and black 2 5 years anniversary logo

CREATED BY CDA DESIGNS© 2025

copyright© 2009-2025 ~ CLASSICAL Decorative Arts BLOG™ ~ page layout and web content© ~ all rights reserved

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GILDING

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ANCIENT EGYPTIANS used gold leaf on the sarcophagi and funeral items of the Pharaohs. Their production of GOLD LEAF has been recorded as early as the 5th Dynasty. The ANCIENT GREEKS used sheets of the gold leaf over wood, stone and marble sculptures.

110 West 80 St-4R, NY, NY 10024

ROMANS extensively used GILDING on public and private temples. They also embellished ceilings as well with gold leaf, making the process a popular luxury during this period.

The practice of GILDING once again became popular in Europe during the Middle Ages, on religious artifacts and manuscripts. During the Renaissance, both Leonardo da Vinci and Michelangelo used gold leaf in their art.

Workshop of Sandro Botticelli The Virgin and Child with Saint John and an Angel about 1490 Tempera on wood, 84.5 x 84.5 cm Bought, 1855 NG275 https://www.nationalgallery.org.uk/paintings/NG275

THE TRADITIONAL Old World techniques of GOLD and SILVER LEAF application are still in use today.

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CLASSICAL Decorative Arts BLOG™ 2009-2025 – CLASSICAL DECORATIVE ARTS by Cynthia™ 1992 -2017

A gold and black 2 5 years anniversary logo

CREATED BY CDA DESIGNS© 2025

copyright© 2009-2025 ~ CLASSICAL Decorative Arts BLOG™ ~ page layout and web content© ~ all rights reserved

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  • GILDING: Using Dutch MetalA gold frame with some type of ornate design on it
    In relation to
    PRIVATE Commissions
  • PRIVATE Commissions
    In relation to
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  • PAINT IT ANY COLOR AS LONG AS ITS BLUETwo pieces of blue stone are sitting on a table.
    In relation to
    Historical Observations
  • HEY…are ya gunna pay me?
    In relation to
    Historical Observations
  • COLOR CHOICES and APPLICATIONS
    In relation to
    Historical Observations
  • POMPEIAN Room Recreated
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The SCHIBIN Ceiling

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Gilding-Promo-pdf
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CLASSICAL Decorative Arts BLOG™ 2009-2025 – CLASSICAL DECORATIVE ARTS by Cynthia™ 1992 -2017

A gold and black 2 5 years anniversary logo

CREATED BY CDA DESIGNS© 2025

copyright© 2009-2025 ~ CLASSICAL Decorative Arts BLOG™ ~ page layout and web content© ~ all rights reserved

Related Post

  • PRIVATE Commissions
    In relation to
    Past Work
  • PUBLIC CommissionsA wall with a painting of an ornate design.
    In relation to
    Past Work
  • LOUIS SULLIVAN and the Chicago Stock Exchange
    In relation to
    PUBLIC Commissions
  • STENCILS
    In relation to
    Past Work
  • George WASHINGTON Savings Bank Orland Park IL
    In relation to
    Past Work
  • GILDING
    In relation to
    PRIVATE Commissions

Filed Under: PRIVATE Commissions

A man standing in front of a table with two bottles.

Traditional OLD WORLD Restoration

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A TRADITIONAL OLD WORLD oil glazed wall that has been damaged is nearly impossible to repair successfully. A New York training school recommends repainting entire wall and re-glazing the area. After years of applying an oil glaze to clients’ walls a procedure to repair the damaged glazed wall has been successfully developed.

[Read more…] about Traditional OLD WORLD Restoration

Filed Under: PRIVATE Commissions Tagged With: conservation, oil glaze, restoration

A chandelier with lights hanging from the ceiling.

18c Parchment Restoration

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Restoration to a recreated 18c Parchment wall treatment/finish painted more than 14 years ago needed to be repaired after a remodeling. The practice of keeping records and detailed on-site notes for all my clients projects would now prove valuable.

[Read more…] about 18c Parchment Restoration

Filed Under: PRIVATE Commissions Tagged With: faux treatment, oil glaze, repair, restoration

A gold frame with some type of ornate design on it

GILDING: Using Dutch Metal

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ANCIENT EGYPTIANS, GREEKS and ROMANS used thick gold leaf. Traces of it remain on the objects found are remarkably brilliant. But, doing a modern interpretation of this Ancient craft a substitute product is used on the carved picture frame called Schaibin, a Dutch metal imported from Italy.

ANCIENT DECORATIVE PRACTICES ARE STILL IN USE TODAY

July 14

I’ve previously employed both gold and silver leaf for decorative purposes. Specifically, I used a Dutch metal product called Schaibin from Italy for this project. This product is available through a distributor in New York, and its price fluctuates based on market conditions due to its weight-based pricing.

I chose to use Dutch metal because it’s a more cost-effective alternative to gold or silver leaf, especially for embellishing ceilings. In this project, I applied Schaibin to an intricately carved picture molding that measured approximately 5′ x 10′ x 6′ in size. The final step involved mounting a mirror within the gilded area.

All the coordination and arrangements for this project were conducted over the phone, marking my introduction to collaboration with a new designer in the Chicago area.

Gilding, Inverness IL

9:30 A.M. Day One

Only after the project area was accessed did we began to set-up equipment and organize needed supplies. We began by priming the carved picture molding using a medium grey latex primer covering the area 100%. After the primer dried two coats of a medium dark rich red-orange paint was applied, again covering the area 100%. I decided to let the painted molding dry overnight before the water size would be applied to the frame. Hurray! The full gallon of the grey primer that had spilt in the client’s driveway upon our arrival had cleaned up beautifully and left no tell-tale residue. Done for the day by 4 P.M.

9:30 A.M. Day Two

Only after checking the driveway to make sure that all paint had been completely removed was the carved molding painted with Aquasize. This is a water-based product by Rolco and sold only to the gilders for professional use.

ONLY AFTER the Aquasize dried clear was the Italian Dutch Metal (Schaibin) applied to the picture molding.

A close up of the wood carving on a door.
A close up of the ornate frame on a wall.
A gold frame with some paint on it
A close up of the ornate frame on a mirror.

VARIOUS STEPS NEEDED TO COMPLETE APPLICATION

I worked taking care to apply the product to 95% of the area. Working in approximately 12-inch areas at a time, taking care to burnishing all the Dutch metal using a specialty brush designed especially for this purpose. Started on the right side of the frame, continuing left on both the top and bottom of the picture frame, working my way around the frame. While this technique gives high impact and often inspires oohs and aahs after it is completed, it is extremely important while working to keep the area neat at all times. It is necessary when working with this product to frequently stop to vacuum and clean up any loose Schaibin that is not attached to the Aquasize. Remember that these particles travel fast! Once application of the Schaibin was completed I applied a thin antique stain to the whole frame to remove the sharpness of the gold Schaibin; thus accentuating the intricate carving of the frame. Completed actual assignment by 4 p.m. but required an extra hour for clean up.


Home » PRIVATE Commissions

CLASSICAL Decorative Arts BLOG™ 2009-2024 ~ CLASSICAL DECORATIVE ARTS by Cynthia™ 1992-2017

A gold and black 2 5 years anniversary logo

CREATED BY CDA DESIGNS© 2024

copyright© 2009-2024 ~ CLASSICAL Decorative Arts BLOG™ ~ page layout and web content© ~ all rights reserved

Related Posts

  • GILDING
    In relation to
    PRIVATE Commissions
  • PRIVATE Commissions
    In relation to
    Past Work
  • PAINT IT ANY COLOR AS LONG AS ITS BLUETwo pieces of blue stone are sitting on a table.
    In relation to
    Historical Observations
  • COLOR CHOICES and APPLICATIONS
    In relation to
    Historical Observations
  • STENCILS
    In relation to
    Past Work

Filed Under: PRIVATE Commissions Tagged With: gilding, molding, schaibin

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  • The Perfect Color
  • The Adventures of a Website Muse
  • POMPEIAN Room Recreated
  • STENCILS
  • FAUX Bois ~ FAUX Marble
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BLOG Contents

  • Homepage
  • Past Work
    • PUBLIC Commissions
      • HISTORICAL Restoration at Chicago Theatre
      • RESTORATION at The Mayslake Peabody Estate
      • HISTORICAL OSC in Springfield IL
      • LOUIS SULLIVAN and the Chicago Stock Exchange
      • The HISTORIC CABLE HOUSE in Chicago – Louis Sullivan
      • George WASHINGTON Savings Bank Orland Park IL
      • FAUX Bois ~ FAUX Marble
      • STENCILS
      • PROCUREMENT: Business AWARDS
    • PRIVATE Commissions
      • POMPEIAN Room Recreated
      • GILDING
        • GILDING: Using Dutch Metal
        • The SCHIBIN Ceiling
      • 18c Parchment Restoration
      • Traditional OLD WORLD Restoration
  • BLOG POSTS
    • The Perfect Color
    • The Adventures of a Website Muse
    • LOUIS SULLIVAN Rediscovered : Lecture
    • MODEL MARATHON
    • LIZ STEEL Online Education
  • MUSEUM VISITS
    • MILWAUKEE Art Museum
    • CANOVA: Sketching in Clay
  • HISTORICAL OBSERVATIONS
    • THE BEGINNINGS
      • Okay, I’LL HANG IT SOMEWHERE ELSE – IMPRESSIONISTS part 1
      • Okay, I’LL HANG IT SOMEWHERE ELSE – IMPRESSIONISTS part 2
    • IT’S ALL BEEN DONE BEFORE
    • COLOR CHOICES and APPLICATIONS
      • PAINT IT ANY COLOR AS LONG AS ITS BLUE
    • HAIL TO THE GIRLS
      • SOFONISBA Anguissola
      • IMPRESSIONIST Pioneers: Berthe Morisot and Mary Cassatt
      • SUZANNE Valadon
    • HEY…are ya gunna pay me?
      • MICHELANGELO: The Man and The Myth
  • GALLERY
    • TRAVEL SKETCHING: Liz Steel Classroom
    • INTERNATIONAL SALON
    • DRAWINGS
    • WATERCOLOR
    • OIL PAINTING
  • Contact Us
A painting of an old vase and other objects
Salon 2013 Exhibition Panel Oil on Cambric Linen

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